Uncovering Historic Buildings’ Ties to Slavery: A Woman’s Mission
Gloria Daniel, a woman on a mission to highlight the intimate ties between historic buildings and the slave trade, is making waves in Bristol. Her dedication to shedding light on the legacies of colonialism and enslavement is rooted in her personal story and her passion for history.
A Passion Ignited
Growing up as a child of immigrants, Gloria Daniel understands the sacrifices her family made and the impact of historical injustices on her own lineage. Her journey led her to Ashton Court, where she curated the exhibition “50 Plaques and Places” to showcase the deep-rooted connections between historical buildings like Ashton Court and the transatlantic slave trade.
A Personal Crusade
Daniel’s drive to unveil the hidden truths behind British built environments stems from her deep research into Bristol’s slave-owning families. Through her initiative, TTEACH (Transatlantic Trafficked Enslaved African Corrective Historical) Plaques, she aims to honor the enslaved individuals whose suffering fueled the prosperity of merchants and plantation owners.
Seeking Justice and Repair
By delving into her own family history and confronting the painful realities of slavery, Daniel’s work transcends mere historical documentation. Her efforts to create a stone memorial at Bristol Cathedral symbolize a demand for recognition and reparations for the atrocities of the past. Through her exhibitions, she challenges institutions to acknowledge their complicity in the largest crime against humanity.
Daniel’s unwavering commitment to truth and justice serves as a beacon of hope in a world grappling with the legacies of slavery and systemic racism. As she continues to shine a light on the shadows of history, she reminds us that there is a price to be paid for the sins of the past, and it is up to us to seek redemption and repair for future generations.